A biography of the Osage Indian ballerina whose love of dance took her from a life on a reservation to a career on the stage.

Provides an in-depth look at life and historical events in America during World War Two.

Looks at the roles of American women in the 1930s and 1940s seen in the stereotypes of the strong, patriotic "Rosie the Riveter" and the frugal homemaker "Mrs. America" and illustrates how they were reflected in the magazines, catalogs, and films of the time.

Who were the women who called themselves "Ms." and who were the Material Girls? They weren't specific individuals, but rather symbols that defined perceptions of women during the 1970s through the 1990s. The term Ms. was adopted by feminists--women who believed in equal pay for equal work, freedom from sexual harassment, and equal employment opportunities. The Material Girls wanted all this, but they also wanted to be wild, sexy, and outrageously...

During the 1950s and 1960s, popular media was doing everything possible to undo the strong, work-oriented Rosie the Riveter image of the 1940s and bring women back into the domestic fold. The young, blonde Gidget image offered young girls a role model for carefree living before they settled down to fulfill their patriotic duty as wives and mothers. Yet many women weren't buying the images that advised them on how to catch husbands and become dutiful...

Details the conditions at Andersonville Prison in Georgia--including overcrowding, lack of supplies, harsh rules, and prison gangs--that led to the deaths of 13,000 Union prisoners, and recounts the trial of the camp's commandant, Henry Wirz.

Discusses the girls and women in the industrial workforce of the nineteenth and early twentieth centuries, and the reforms and movements that changed their working conditions and the nature of the work itself.